Authors:

Becerra JD

Jesus Duenas Becerra, Honorary Member, Scuola Romana Rorschach, Italy

Editorial:

Using language from science and art; this is a fantastic good that not many people do. That Martian proverb will serve as my guide while I explore this subject, the main goal of which is to gently stroke the intelligence and aesthetic sensibility of those who appreciate both science and the arts.
A happy coincidence brought me to work with Svetlana Ballester, the current maître and prima ballerina, whose stunning performance of the "Willis Queen" within the context of the classical ballet Giselle, immortalized by the illustrious prima ballerina Alicia Alonso, After experiencing a profound inner awakening, I was able to build the objective-subjective correlations and linkages that serve as the foundation for this article. These relationships can be found within the spiritual aspect of the Freudian unconscious, which is utilized to organize the objective and subjective.
Does ballet represent the unity of the body, mind, and spirit in a way that is supported by current psychology research? Let's take a quick look at the historical-philosophical response to this artistic-scientific investigation. The historical basis of the current issue can be traced to the precise moment when philosophy, sometimes referred to as the "mother science," gave way to medicine, also known as the "science and art of healing," and medicine became a respectable natural science and, logically, a social science.

Keywords:

Psychology and Ballet;Historical;psychobiological

Citation:

Becerra JD. Ballet and Psychology: A Historical-Philosophical Analysis. World Journal of Medical Oncology 2023